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The waves carve their own desires: the affects and agencies of intramedial performance
How do the affective attributes that are specific to intermedial, interactive and located mediums of digitally-enabled performance materialise embodied, sensual and emotional involvements and reconfigure reality through new forms of intimacy, empathy and immediacy? This question is considered through a posthumanist account of performativity to consider alternative ways of conceiving of reality, ‘humanness’ and how space and time of performance are constituted, particularly through the bodily productions of and relationships between performer, audience, environment and technology in the transmedia performance for smartphone Nobody’s Ocean (2016).
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Journal
Research in Drama Education: The Journal of Applied Theatre and PerformanceVolume
25Issue
3Pagination
364 - 377Publisher
Taylor & FrancisLocation
London, Eng.Publisher DOI
ISSN
1356-9783eISSN
1470-112XLanguage
engPublication classification
C1 Refereed article in a scholarly journalCopyright notice
2020, Informa UK LimitedUsage metrics
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